Just Two Young Punks Pissed Off In Love

 

There’s this song by a band you’ve never heard of called Fuck Shit Up, the song that is, the band is called Ghost Mice. There’s a line in that song that goes “this world was never good enough for us, just two young punks pissed off in love, we’d put that record on and sing tonight we’re gonna fuck shit up” and even though that song is about someone’s best friend dying, it always reminds me of you.

Do you remember that night when you showed up at my house at three in the morning and we listened my records and you wore my cardigan and we fell asleep on the floor, platonically and content, in each other’s arms a million miles away from everyone else? That’s why that song reminds me of you, because it’s about people that love each other although love is something they cannot comprehend, are numb to. Shut off, closed in and denied. These incredible people so full of life and energy and explosive lust allowed to wither together constantly comparing themselves to the people around them that are oblivious to the walls closing in.

Two young punks, pissed off in love.

Man. That was us.

And when we woke up in the morning nursing hangovers and heartbreak I waited with you at the bus stop and I gave you my iPod for your journey home because I knew that you were the only person that I’d ever known that needed music, any music, to get through the hangovers and heartbreaks. Your phone was dead but you text me later that day and said you listened to The Offspring all the way back to Ashford.

Funny how they never remind me of you when so many other things do. And funny how when all I was trying to do was hammer home how different we were, how incompatible and estranged our hearts were, you always managed to make the best of our differences. I pretended that it pissed me off, your enduring niceness, when in actual fact it gave me butterflies. That’s more than likely why I tried to suffocate it. The last thing I wanted to do was like you.

I remember there used to be this hunger to be near each other. You’d call me at stupid o’clock in the morning and tell me how much you loved me and I would get on a bus after a fifteen-hour shift and haul my arse to Staines just on the off chance that you were drunk and horny and alone and that we could relive that first night over and over and over again. It was a loop, you see? And it only worked because we let it.

You were in love with someone else. So was I. And we jumped around in this mosh pit of self-loathing, slamming each other up against walls, drawing blood and inflicting pain, punishing ourselves for not being worth enough to get those people whom we desired so terribly. And we told ourselves that it didn’t matter, that we didn’t like each other like that and that the moment that those people who truly held our hearts held out their hands, the lights would come up and the smoke would clear and we would walk away from each other and leave that dark, sweat stained room behind us.

We measured our failures against each other and found an equal in pain and loss. So, to say that we were in love with each other is incorrect. We were in waiting. Keeping each other warm until the storm cleared, disappointed romantics scraping the hearts from our sleeves. And then you went away, or more to the point I went away. I gambled with a good guy and ending up stamping his heart into the pavement and in those moments, when I thought I could hate myself no more, suddenly you’re there, on my doorstep just as beautiful as I remembered you being.

But you don’t get that. You never got that. Why anyone would ever call you such a thing. I mean because you’re not, right? You’re not worthy of someone’s love or attention or god forbid, attraction? Because all the people you’ve ever really wanted it from have never given it to you. They’ve never seen it in you and therefore it cannot possibly exist. You must be deformed, hideous and too much to bear, otherwise why would they not have loved you back? Why this constant denial of your most base urges and desires if you are all these things that I constantly tell you that you are? Well I’m here to tell you now, whether you read this today or tomorrow or someday or never at all – you have always been, and will always be, extraordinarily beautiful to me.

Not just in the way you look but in the way you are and shortly before my world fell apart in earnest you laid on my bed in my freezing cold, empty flat, with me and kissed me, topless and sober and I thought…well, fuck who knows what I thought. That maybe it was starting to sink in. Maybe, just maybe you were starting to understand the way I saw you and stripped down from ego and bravado and drunken declarations of anguish and lust – you may just have been kissing me instead of the idea of me and I may just have been kissing you instead of the idea of you.

I never dreamt of waltzing off into the sunset with you, of going to dinner with your parents or introducing you to my world, but I dreamt about you. Even in the arms of other people who laid claim to my heart for a time or two, I dreamt about you. And these are all the things I think and feel and have never been able to articulate because to admit that I felt these wonderful and fucked up things would be to admit that I was wrong and weak and, in essence…in love with you.

And why the fuck would I ever want to admit that? Because it wouldn’t change anything. You’ve spent your entire life feeling like no one ever loved you back, loved you properly the way you deserved and after knowing you as a friend, a lover and a stranger I can probably vouch for the truth in that sentiment. But I loved you. Then and now, still now. And if you really want to know the reason why we would never work out, why we will never be anything more than two young punks pissed off in love, it’s simple – I will never be good enough for you.

I’m not the girl that you want to say these things to you and you cannot look past my inherent flaws the way I can look past yours. And that may in part be my fault. We’ve spoken of armour and how the weight of it increases with years, and though you’ve thrown your armour onto your bedroom floor and given me all of you a time or two, I’ve never really been naked in front of you. I ridiculed your aspirations and pretended not to like your music and belittled your intelligence and slated your friends and mocked your maturity – because it was easier to hate you than it was to love you.

Because hate, well I knew I might get it back.

Love on the other hand – I knew you were never going to love me.

So, I’m apologising. For the walls, I built and the blood I spilled and for every time I ever made you feel like anything less than everything. You’ll always be that one, Carlin. That one person who will forever leave me wondering where my words went and how you so deftly and efficiently stole my soul from right underneath my nose. And here it is, in black and white, forever and always.

I’m sorry I broke our hearts.

And be beautiful.

Because you are.

When I Dream of Dreams

The sun is setting outside and the thick summer heat crowds the small room. Everything seems too close. You sit a few feet away from me, mirroring my stance, cross legged on the floor. You hand me a piece of paper and show me the words that you’ve stitched together, words hidden within other words, worlds hidden within other worlds. I struggle to understand. It’s been a long day, I’m hot and I’m tired and I’m worried. He’ll notice I’m not home any moment now and as the sun sinks behind the grey skyline, a lump forms in my throat.

You sit beside me now, out arms touching, your strong, tanned forearm prickles against my side and sends gooseflesh shivering across my back and chest. You point to the words on the piece of paper in front of me and explain what they are. Your handwriting is messier than I thought it would be but the paper is precious in my trembling hands and I hold tight, tight enough to make the tips of my fingers go white. You stand, bare footed in jeans and a white t-shirt, the way I and everyone always pictures you, in their dreams and in their minds. You ask if I want to listen to some music. How could I refuse?

I sit stoic and scared on the sofa as you place a record on the turn table and the black magic scuffs its way to life. Have we been drinking? Smoking? I feel about ready to float off of the sofa when you sit down heavily next to me and the music takes up the last of the space the heat left behind in the small, sweet smelling room. Your hair is a mess and my heart is a mess and you look at me like you’ve known me forever.

We sit, together, perfectly enclosed in each-others company and listen to the music. You close your eyes and a bead of sweat falls down one cheek. It takes everything in me not to wipe it away with the corner of my t-shirt or to run my hands through the sweaty mess of black curls mopping at your forehead. We sit for a moment longer as one song ends and another song begins, the stop and starts of the record player sending little jolts of awareness through my mind and down to my fingertips.

This will end. I know this will end. But for now it’s here and until the record skips and changes its tune, I know that this is here and it’s now. With your eyes still closed you lean into me your face graving mine as you nestle you hot, damp head in my lap and exhale deeply. Your breath reaches up my bare thighs and settles somewhere near where my shorts begin. I am useless, speechless, dumbfounded and lost. My hands suddenly seem superfluous, my breath seems ragged and painful.

You open your mouth to speak and every word hits my bare legs with a soft gust of hot, fragrant breath. You ask me not to go, you tell me to stay, here with you in this place, in this moment and though we haven’t spoke of my leaving, it appears we both knew I would have to go sometime. Your voice breaks and my fingertips find your forehead, sweeping back your sweaty hair and stroking away the hurt. I have to go I tell you. But not yet.

Not yet.

Rivers and Forests.

I read somewhere once that music is like a river. That everyone whilst being able to appreciate its beauty cannot appreciate its power unless they fully submerge themselves in the water and become part of the current. The people that become part of the river, the people that become the continuous ebb and flow of the water, the forever changing patterns of ripples and tides, the sunken debris forgotten by all and missed by none – these people are musicians.

They understand the river better than the river does and when mere mortals hear just an incessant babbling of water over rocks and lapping against the banks, musicians hear something entirely different. They don’t hear the noise of the river, rather than the music of it. They have become part of the river and respect its ability to take them anywhere and away from anything. People who do not have the ability or the inclination to be part of the river become passive observers to something that at first appears as simple as a body of water or a string of chords, but to the river, and to the musicians, there is a far deeper and more complicated meaning to its composition.

When I read this I instantly began to think about the river in all its complexity and my mind drifted to the forest. During the day a forest is possibly one of the most breath taking and beautiful places you would be lucky enough to find yourself standing in and its omnipresence is astounding sometimes. Mile after mile of trees that have stood longer than your lineage and will outlast the best of us, intertwined forever with the earth through a connection of soil, roots and promise. Massive natural structures completely untouched by man that dwarf you into insignificance and remind you just how unimportant you actually are.

Sun breaking through bough after bough of fragile looking leaves, no two the same that seem so utterly breakable but are in fact intricate natural phenomena that put our peasant like cardio vascular system to shame. Trunks as wide as cars and armoured with bark that is so easy to break and impossible to replace. Stagnant earth swamps your head and on a hot day can become absolutely intoxicating. The smell of soft, damp, breathing wood and the muddled sense of belonging to the earth and it to you when standing in such a place.

Every possible crevice your eyes could search rich with life and death in equal quantities, a never quite silent place that is as unnerving as it is attractive. You could be a hundred miles away from the nearest human being or they could be hiding behind the nearest tree but the forest will never forsake your solitude. You came to it and you took the time to breathe with it, if only for a moment and if only coincidentally. For that single moment, you were alive with the rest of the world and in that single moment you were perfect.

Then you start to feel an unsettling kind of bewilderment radiating from your stomach and forcing your teeth to clench. The sun is dipping behind the broken boughs and shadow begins to steal the way out. It’s getting cold and suddenly there are too many trees, too many twisted skeletal remains of various fallen friends blocking your once safe path and threatening to send you spluttering onto the damp, dead floor. You start to shudder as shadow begins to envelope you as well as the forest, and your heart begins beating in your ears. Saliva pours into your mouth and you realise that you are frightened.

Because what was so beautiful just moments before the sun disappeared behind the now suffocating canopy of translucent leaves and insidiously shaped branches, is now one of the most intimidating places you dare to imagine. The liberating closeness of the trees now feels claustrophobic and the quaintly sporadic half walked paths that were roughly guiding you through to the end have now disappeared in the darkness and you are on your own and out of your element.

You are now alone in the dark with the earth and the earth doesn’t seem to like you very much anymore. The fractured roots of monolithic trees catch your feet and send a jolt of adrenaline straight to your already over excited heart. Getting out of the forest is all you can think about now. The sounds of crickets and birds are now haunting and unsafe, the low rumble of what you thought was a toad in the day light, the ruffling of leaves on the forest floor that would have been a rabbit were the sun still up, have now become the sounds of ravenous wolves and angry animals the likes of which your pressured mind need not comprehend for fear of complete and utter terror.

But there is one consistent in it all, one thing about the forest that never changes even when the light surrounding it does. Like water is needed to make a river a river, trees are needed to make a forest a forest and it is the likeness to these trees that call to mind the similarities between musicians and water.

Just as musicians are ever changing, flowing with what seems to be at times unbridled passion and unadulterated abandon for what convention has to say about how they choose to follow the bends in their banks, writers and the words they string together are stoic and unchangeable like the trees of a forest. A musician on stage performing a song can change it at any given moment, improvising or just following a tangent of unthinking trust that the music, the river, will guide them to the end of the performance unscathed.

Writers have a harder time adapting their work once it’s completed.  The moment those words pass through a press and onto the page, they are their forever, the deafening deepness of their roots hard to ignore or escape. Books do not flow, they do not adapt and their trunks are only soft when they are young. Once they are complete, finished and rooted in reality they stay the way they were made forever, or until someone cuts them down and rebuilds them in their own image.

We cannot improvise and we cannot comment, we are instead forced to stand on whilst the sun fades behind us and what you once treasured about the stories we told becomes marred with sadness and fear. We cannot uproot and clear a path for you to follow, we cannot lap against your ankles and offer you comfort when you so desperately need it.

All we can do is what we have always done; look on with concrete confidence and hope that even when the sun sets on our time together, your knowledge of and trust in the forest of the day will accompany you to the end of our affair with a deeper understanding of just how hard it is to be one tree in a forest, one drop in a river and one story that at one point, needed to be told.

It is through this understanding of relative simplicity that we cease to be rivers and forests, men and women, broken and whole and we simply become what we were always meant to be but never really took time to notice we were – alive.

When I Dream of Rain

I was sitting outside of the art room with my headphones in listening to Cat Stevens singing about fathers and sons. It was raining but it was the see through rain that speckles the windows before the real storm breaks. The corridor smelt of plaster and heat, the radiators were turned up almost to the point of scorching.

I hadn’t slept and I was waiting for my art teacher to unlock the classroom door so I could get on with my after school lessons. I hadn’t been doing them for long and the whole process of going to school for two hours a day was new to me. It wasn’t helping me. It was hurting me. It was allowing me more hours of unguarded time when you weren’t there to stop me breaking my own heart.

My battery was dying and I was beginning to get anxious. I could handle it when there was music or a book, but I had nothing that day. I wasn’t even wearing shoes. If he had walked by at that moment I would have been sent back to that place, even further from you. Then the door at the other end of the corridor opened and I knew without looking up that it was you. I knew it was you because I felt you before I ever saw you.

I could feel you looking at me and as I began to cry you came to me and slumped down the wall onto the floor, side by side. You called me a wayward genius once and I called you a cunt more than once, but there was something that connected us. Maybe it was because we were both such good liars. We did it so well. I would tell you that I was always fine and you would always tell me that everything was going to be alright. They were the greatest lies we ever told and we told them to each other.

I slipped my headphones out and you asked me to come with you. I would have followed you anywhere and a couple of times I did. I sat on your desk and put my head phones back in. You watched me as I mouthed the words to Fast Car by Tracy Chapman and cried the tears of a teenager who was too young to know how far gone she was.

You put your hand on my chin and lifted my face up to meet your eyes. They were the glassy and as horrifically blue as ever. You took my headphones out, so softly. They fell to my neck and I heard my heart beating in my ears where music had been moments before. I don’t know if you ever fathomed what your hands did when they were on my body. It wasn’t sexual, it was almost … chemical.

You told me that people get addicted to other people. I took it as an insult and pushed your hand away. I could see that you were hurt and I liked it. I liked hurting you. I lovedhurting you, because you never stopped hurting me. All your words, your jokes, your manipulation of the rules and your time, none of it ever stopped it hurting. And you were too distracted to realise that what you were actually doing was killing me.

I told myself that the reason you said that about people being addicted to people was because I relied on you too much and you were pointing out that you were fast becoming just another pointless thing that made me feel good that I couldn’t live without. Just as I was about to leave you held my hand and I felt my stomach melt out of my knees.

Then you kissed me. You kissed me. You kissed me.

When I pulled away your eyes were wet. I wasn’t crying anymore. I was confused and I still am all these years later. I always thought you were a figment of my imagination and if people hadn’t have spoken of you in terms of reality I would never have mentioned the way you made me feel. But the truth of the matter is you are real and your words were real and every time you smiled or cried or kissed me, all of that was real too.

But now I look back and all I see is the notion of you. The promise that one day it would get better. The promise that you would never, ever leave me to face it alone. The promise that you and I were something far greater than what the world was allowed to see. The promise that somewhere, deep, in the dark part of your mind that tells you what we were doing was wrong you saw it as right and tried to convince me it was so.

You never convinced anyone. I find it hard to think of and every time I see your face in my mind I go back to that day when you first pressed your mouth against mine. November Rain by Guns n Roses was playing through my head phones hanging listlessly around my neck when your lips first grazed mine. Maybe I have better taste in music now, but I still cannot listen to that song.

I wonder if you ever think of me. If you ever think of the teenager I was when you took to kissing me and wonder what kind of adult that mess of a girl became. I wonder if you know now that although I no longer pay rent in the darkness, I stay there occasionally and almost always when finding myself in the shadows recall the strange way the rain fell against the windows that day.

Most of all I wonder that if were we to meet now, whether or not you would allow me to protect you from yourself the way you protected me. I wonder now if you used me as a distraction from what was going on in your mind. I wonder now if I ever meant anything more to you than what we ended up as.

I wonder now if you knew at the time, that I was unattainably and irrevocably in love with you. I wonder, every day, if knowing that would have changed your mind.

Why Writers Hate You. (Yeah, You.)

You want to know why writers don’t like you? People who write don’t like people who do not write for one reason – they envy you.

They envy the musicians who take ten minutes to write a song, three minutes to sing it and live off of it for the rest of their lives. Musicians who play their guitars and make people melt, who recycle forgotten notions into meaningful lyrics and capture your heart and your soul with three chords and a couple of “ohs” and “yeahs”. The men and women that boys and girls want to be, they stick their faces to their walls and ask for that first guitar for their birthdays. The musicians that give the writers the inspiration and the drive to keep going even when their hands are weak and their eyes are tired. They envy the simplicity of it all.

They envy the painters whose genius is so blatant. The painters who may spend years working on one piece that is valued and sold in a matter of moments. The painters whose work is flung to the four corners of the earth printed and re-printed time and time again until their images become part of our lives, spanning the generations and becoming immortal. The men and women who buy their work and place it on their walls with the highest esteem for everyone to effortlessly enjoy for the rest of their days. The painters that make their space brighter, whose work peels away layer by layer and gives the writers what they need from it every time they look back, even when they think that they have gained all they can from it. They envy the stamina of it all.

They envy the performers who capture their ear without even trying. The performers whose words radiate through the minds of the masses and inspire more than just original thought. The performers who change the world with a speech or a saying, whose words are their mark on the world at large without pen ever touching paper. The men and women who live by the words of these performers and quote them in their minds when the days are short and the nights are long. The performers who made the writers want to to write to begin with, whose words seemed all too eloquent for their hands not to want to elaborate on paper and immortalise them forever on parchment. They envy the legacy of it all.

When you can play a guitar people flock to hear your songs. When you can paint a magnificent picture people climb over each other to get their hands on your work and show it off to the world. When you can inspire a generation of people, even when you are cold in the ground, your words never gather dust and your spirit never dissolves. There is nothing to envy about being a writer. The process of writing a book is not fast, its not catchy and when its done it cannot be fully appreciated in a matter of moments like a song, a painting or a speech can be.

The written words demands the life of the author, but with that, it also demands your life as a reader. A book cannot reach you as fast as a song, as spectacularly as a painting or as hard as a speech. It asks for some of the time it took to write it in return for a much longer lasting relationship. If you ask someone who their favourite musician is you will get a thousand bands and artists. If you ask someone who their favourite painter is you will get random descriptions of images and lets say twenty names. If you ask someone who inspires them with their words you will again find quite a few names dropping at your feet.

However were you to ask someone who their favourite author is you will see their face change slightly. Behind their eyes you will see them recanting the first book they read, the way it felt in their hands virgin and new, and then simultaneously the way its pillaged spine felt in those very same hands when it was finished. You will see them recalling to memory for that briefest of moments what was happening to them when that author came into their life and what that authors words helped them face or forget. A million memories will flood through their iris’ in that moment and if you have the resilience to search for that moment you will not be disappointed.

Whether you would accept it or not writers do not like you because they rely on you. You can hear a song without choosing to put it on, in a car or a supermarket and slowly fall in love with it. You can see a painting in the lobby of a hotel or in the corridor at your school and begin to unpick in your mind. You can overhear someone speaking and form your opinions without ever having to engage with that person. You cannot accidentally read a book. A song can catch your attention with one drop in the bass, a painting with one flare of colour and a speech with one key phrase you cannot shake from your mind. Writers have to put their faith in you to carry on reading the book until it captures you, which could be on the first page, the thousandth page or never at all.

So when writers tell you to fuck off because they need to concentrate or ignore you when you are speaking to them, intentionally or not, when they frustrate the living shit out of you because their minds are a million miles away from the water bill or what she said to him – remember that they hate you. They hate you without wanting to or even fully knowing the extent to which the hatred filters down through them. But my friends take solace in the fact that you are not the only people they hate – writers hate the world.

Writers hate the world because it gets in the way of the one in their mind. The one that lives behind their eyes that they are duty bound to make so perfect, that when you eventually do get an invitation to join them inside of it – you will never want to leave.

If you leave – we fail.

When I Dream of Syringes

It was cold and most certainly night. I was drunk, for the most part and standing with my usual crowd outside of our local supermarket. I was wearing my blue paisly shirt and my olive green Lee Coopers. I was smoking a cigarette and laughing, a bottle of something strong and tepid in my hand. He approached, his eyes bluer than I could ever recall from photgraphs burning into me. My friend stopped and put her hand on my arm,

“He’s looking at you.” He came straight up to me and took out a pen. He smiled, his face reminiscent of what I knew but something was different. Stubble speckled his young cheeks and he laughed,

“You can’t be though, you haven’t got any hair.” He had cut his hair to half an inch all over but his face bore a similarity too uncanny not be frutiful. He shook his head and closed the distance between us. He uncapped the pen, which was laden with white ink.

“Can I?” I nodded, my mind still and my heart beating in my ears. I breathed in as he pulled one side of my half open shirt aside, revealing the black of my bra. He scrawled a word, an autograph on the portion of my left breast that showed and let the shirt fall gently to rest. I reached out to touch his face and he took my hand before it could.

“Come with me.” He pleaded. I could see poison under his eyes, swimming in the blue that was never quite captured on the cameras where I had come to know him so well. I turned to my friends and realised that they had moved away. He squeezed my hand and we walked out of the car park and into daylight. We were by the side of the sea. There was an immense heat baking off of the ground but neither of us looked pained for the weather. The cool sea breeze wafted through my hair.

We came to a wall, hand in hand, and beyond it lay nothing but ocean. He let go of my hand and climbed over the wall, almost glided over the wall and hit the sand on the other side with a soft thud. He then reached his arms over and helped me, also somehow glide, over the cinder block obstacle. Our foreheads touched and my stomach knotted when he kissed me briefly on the mouth. On the wall now stood out a face, melted to the brick, its skin grafted to the very mortor.”It’s for nothing.” Its mouth was disorted, a hideous grimace marring the scarred, powedery skin but its words were clearer than the ocean that now lay before us. It shifted and came closer to us, almost sinking into the brick and oozing back through the wall now only a foot from us. His grip tightened on my hand and we ran, we ran like we were trying to beat the devil, until blood pumped in our eyes and our mouths were are dry as the sand under our now bare feet.

We skidded to a halt on the side of the ocean, a platform about three foot over the water. We sat down and caught our breath, words were exchanged but they escape me now. He took out a leather pouch. Inside the pouch was a syringe, a white ball of clinge film and other random pieces. I watched as he sharpened his arm, the muscles writhing underneath the roadmap skin and popped the needle of the syringe through his the cleft of his arm. He immediatly fell back, his muscular stomach now bare and glistening in the light of the rising sun.

I went to stand, placing my hands next to me when he shot up as it electrocuted and stabbed the same syringe, now full once more, into the soft flesh between the knuckles of my index and middle finger. As soon as he pushed the plunger down the platform broke and I was flung two hundred foot into the air, the platform rising and blood pouring from the wound on my hand. I could vaguely see him but his voice was lost in the wind.

I had to throw something. He wanted me up there, that is why he had stabbed me. I had to be that high up. I could not remember what he wanted me to throw though. The wind was heavy and the platform unstable. I shifted my weight and looked out onto the horizon. There was ocean for as far as I could see but behind me was a dense city landscape, with life and sound melting together. I reached into my pocket and pulled out a green guitar pick.

That was what he wanted me to throw. I held it against my mouth, the metal in my lip chinking against it. I pursed my lips and kissed the pick before shuffling my feet to the edge of the platform. Then I took a deep breath and thought of the man who had led me here with neck length dirty blonde hair, a green cardigan and a guitar in his hands singing about the scent of teen spirit and then I remembered who he was and what he wanted from me. I let my feet continue off the platform where they found nothing but air.

But I did not fall. I floated back down to the platform where he now stood smiling, his hair grown back to the length I remember it being. He had tears in his eyes as he took me into his arms and kissed me once more. With my arms locked around him, he dissolved into dust and was carried away by the wind. The day faded to night in seconds and I was back standing outside the supermarket with my friends, although now I was covered with sand like powder and my hand was black with dead blood.

“Are you okay?” I nodded and we walked up the high street and into one of the pubs. I ordered my drink and excused myself to the toilet. No one had said anything about my hand that was now twice the size it should have been. I stood in front of the mirror and watched as my hand returned back to normal and the dust like dirt all over my shirt washed away into the air and out of the open window.

I unbuttoned my shirt, standing in the harsh light of the pub bathroom and let it fall to my elbows. There written on the nape of my left breast, almost as while as the flesh was his word as if to assure me that he was not a dream but somehow more. Four simple letters in untidy scrawl that brought an exhausted tear to my eye – live.